Cocktail Recipe: Apple Brandy Bellini

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One last drink recipe before I turn in the shaker to concentrate more fully on wine. I'll be tested on cocktails and spirits in August, but it's a small portion of what I need to know.

1 oz Laird's Straight Apple Brandy
1oz Orange Juice
1/4 oz Edmond Briottet Crème de Pêche de Vigne
2 oz of Soda such as Fever Tree
1 dash of Peychaud Bitters

Put the OJ, bitters & alcohol in a cocktail shaker with ice and shake well. Prepare a mini-highball glass with ice & strain the contents of the shaker into the glass. Top off with the soda. Garnish with an Orange slice.

I'll return to the lab in September, hopefully as a Master Sommelier.


Anthony Garcia
www.wineisdivine.com
http://twitter.com/wineisdivine

Blind Tasting & Finding the Needle in a Haystack

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Six months is plenty of time to prepare for the Master Sommelier Diploma exam. In a reality, I’ve been getting ready for it for years. Next month means blind tasting practice resumes. In addition, flash cards will get turned, new flash cards will be written, old word games will be re-memorized, and new mnemonic games will be created. The last piece in my repertoire, finding a new restaurant job, has proven to be like finding a needle in a haystack. I think my struggle may be coming to an end. For now, I focus my attention on my blind tasting curriculum. 

How I structure my tasting practice will be pretty much the same as I did last year. Once a week I’ll taste six wines in the exact same format as the test, which is 3 whites and 3 reds, examined in 25 minutes.  The tasting will be conducted by my coach and close friend, Greg Randle, CWE.  Two days out of each week, I’ll taste with my wife Anne. One day I will taste two wines: one red and one white, examined in 8 minutes.  On the other day, she’ll present me with a lineup of four, examined in 16 minutes: two whites and two reds.

The days practicing six wines with Greg are especially beneficial, as this is the exact rendition of the Master Sommelier Diploma exam. Two practice days with Anne are beneficial in other ways. Examining four wines is like a mini version of the test without the large scale orchestration and post-tasting analytics. It takes less time, helps hone in on pacing the routine and is far easier on the budget. 

Tasting just two wines presents a unique challenge, because the taster (that’s me) is not able to calibrate the wines off of the other wines in the lineup. With the four or six lineup, the taster noses each one first, with the timer starting at that point, allowing the taster to surmise a few things about each wine before he picks up the first glass to examine.

Sometimes, it’s beautiful serendipity in the few seconds of nosing the lineup of three whites and three reds, assessing confidently, that’s Riesling, that’s minerally Chardonnay (probably Burgundy), I don’t know what white #3 is but it’s probably from the New World, that’s Sangiovese, that’s Napa Cab, and the last one’s really herbal maybe it’s Chinon. Most of the time, it’s much more difficult. You think you may know one or two, but you’ll certainly have to work through the tasting grid in the allotted time to conclude properly on the others.  This comparative analysis, which is permissible, even encouraged, is vital to passing this portion of the exam. When there are just two wines, one red, one white you don’t have the benefit of calibration.  A one white / one red lineup keeps you honest. You have to work through the two wines in 8 minutes and nail it.

Greg Randle, I am happy to say, will handle all of the wine selecting. Hooray! The previous years I bought the wine en masse ahead of time, but that has so many drawbacks.  In addition, I’ll expand the boundaries of what I need to know under blind conditions.  Wines such as Torrontés, Amarone, and Australian Grenache, it’s rumored, may end up in front of you during this final exam.  I have barely any experience working with these wines, so these make it on the shopping list.

I am really looking forward to going back to tasting wines under blind conditions.  Although I will miss making cocktails and utilizing my bar at home, I take comfort in knowing I can always go out for one when I need a break from wine. The real challenge in my pre-preparations hasn’t been catching up on months of Decanter magazine or deciphering my handwriting from last year’s journal I kept from the Advanced Sommelier exam to make sure nothing falls through the cracks.  The true trial has been finding a restaurant home.  In the last month, I have earnestly sought out and applied for many jobs. Here’s my cover letter which accompanies my press kit:

My name is Anthony Garcia, and I am seeking a position in Austin’s hospitality industry.  Please take the time to look through this packet, outlining my credentials, unique skill-set and level of experience.  My understanding of service, wine, cocktails, marketing, and profitability make me an ideal candidate for any dining concept in search of distinguishing itself in this competitive market.

Who wouldn’t want to hire that guy? This process is an exercise in patience and diligence. Call me a sucker for irony.  It seems I have an easier time figuring out which wines are presented to me blind than finding a suitable restaurant home, which would benefit from hiring me.  As they say in Bordeaux, “from the struggle comes the beauty!”

Emo's last night: sincerity v. pandering, why Yellow Fever & Strange Boys kill it

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Starting out the night at FINO for a barrage of beautifully made cocktails and snacks was the perfect launching pad for fun. Thanks guys!

Finally getting to see Yellow Fever live was sick. The band must be my favorite now. The music's beautiful, quirky, melodic and most of all sincere. Strange Boys (above), yikes! Not knowing what to expect, we were blown away. Both acts completely earnest.

We stuck around for Chain & the Gang. In sharp contrast to the preceding acts, they came off pandering. They're good, but whatever. Last call at Club DeVille was the cure.

I think I need a couple more hours of sleep.

Anthony Garcia
www.wineisdivine.com
http://twitter.com/wineisdivine

Wine Tasting: 2005 Recaredo Cava Brut Nature

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Many folks wouldn't spend $40 on Cava (Austin Wine Merchant). It's seen as the less expensive alternative to Champagne. Here's a Cava to give fine Champagne a run for its money while still remaining Cava (i.e. not trying to be its French cousin).

Real Cava is from the Penedes region of Spain. Real Real Cava is of the grapes Xarel-lo, Macabeo & Parellada. Real Real Real Cava is from the village Sant Sadurní d'Anoia. (I'll stop there).

This is a Brut Nature, a wine that has undergone a primary & secondary fermentation; but after dégorgement, no dosage of Liqueur d'Expédition was added. This means the resulting bubbly is bone dry because nothing sugary has been added before it's re-corked.

A lovely straw color and fine mousse prevail. The nose is steely minerals, delicate mint/eucalyptus, under-ripe green skinned apple & pear, a hint of pink peppercorn.

On the palate, it's delicate with green apple & lemon joined with light lilac and laser-focused acidity that delivers stony-chalkiness to a long finish. A minerally, über-dry delight; my wife's favorite.

So go for for it; drop the coin on Cava.

Anthony Garcia
www.wineisdivine.com
http://twitter.com/wineisdivine

Wine Tasting: Montsarra Cava Brut

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The Cava DO (Denominación de Origen) isn't so much as a demarcated region as it is a style. In other words, you're making Cava anywhere in Spain, you're entitled to the DO. Having said that, the real stuff hails from from the Penedes in Cataluña.

Here's an under $20 Cava from the Penedes I really like & it's a traditional Xarello, Macabeo, Parellada blend. Nice.

The bouquet is a mix of pear, yellow skinned apple, pollen, light gardenia, light honey, a tinge of copper penny.

Very light on the palate & very dry, it's more of honeycomb meets gardenia, pear meets apple with that light metallic still present (in a good way).

While not the cheapest Cava on the market, it's worth the bump.

Anthony Garcia
www.wineisdivine.com
http://twitter.com/wineisdivine

Cocktail Recipe: chasing perfection- trying to recreate FINO's Smoking Signorina

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Bill Norris' Smoking Signorina is one of the finest cocktails I've had in a while, ranking up there with Hotel Delmano's Snake Bite (Brooklyn).

Earlier this month, I enjoyed one up and one on the rocks at FINO. I decided to attempt making it. Using what I had on hand, this isn't his exact recipe of Sombra Mezcal, Aperol, Punt e Mes Vermouth & Blood Orange.

2 oz Sombra Mezcal
1 oz Punt e Mes Vermouth
1/2 oz Campari (replacing the Aperol)
1/2 oz Tangelo juice (replacing Blood Orange)

Put the ingredients in a shaker with ice & shake well. Strain into a Coupé or Martini glass. Garnish with Tangelo wedge.

The taste is all-at-once: smoky, sweet, floral & bitter. Mine's good, but the real deal is FINO's.

I know I should be taking a hiatus from cocktail making, as I switch gears to focus on wine & studying for the Master Sommelier Diploma exam, but I couldn't resist.


Anthony Garcia
www.wineisdivine.com
http://twitter.com/wineisdivine